Nós Memo(e) I Evan Cláver - Afrikanizm

Nós Memo(e) I

Evan Cláver

74 100 AOA

Afrikanizm Exclusive Collection - Nós Memo(e)

Painting, Acrylic on paper

Size: 30 W x 40 H cm / 12 W x 16 H in

Ships in a tube 

About The Artwork

The title Nós Memo (e) is a clever wordplay that draws inspiration from the Angolan phrase 'Nós mesmos,' meaning 'Ourselves.' Simultaneously, it playfully alludes to the term 'Meme.' In this exclusive collection, artist Evan Cláver invites you to explore the vibrant layers of Luanda, the bustling capital city of Angola.

Comprising 20 captivating images, Cláver employs a unique approach, using doodles and stencils to vividly capture the dynamic, chaotic, and ever-moving essence of urban life in Luanda. 'Nós Memo (e)' offers a fresh perspective on the city, unraveling its intricate tapestry through art.
Dive into this extraordinary collection and experience Luanda's spirit in a whole new light

Originally created: 2022
Subject: World Culture
Material: Paper
Medium: Acrylic
Styles: Figurative and Expressionism

Details & Dimensions

Painting: Acrylic on Paper
Original: One-of-a-kind Artwork
Size: 30 W x 40 H cm
Frame: Not Framed
Ready to Hang: Not applicable
Packaging: Ships in a tube

Shipping & Returns

Delivery Time: Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns: 14-day return policy. Visit our help section for more information.

Delivery Cost: Shipping is included.

Handling: Ships in a tube. Artists are responsible for packaging and adhering to Afrikanizm Art’s packaging guidelines.

Ships From: Angola

Customs: Shipments from Angola may experience delays due to country's regulations for exporting valuable artworks.

Have additional questions?

Please visit our help section or contact us.

Using doodles and stencils to vividly capture the dynamic, chaotic, and ever-moving essence of urban life in Luanda.

Evan Cláver


Evan Cláver

Evan Cláver's art is distinguished by his use of doodles and stencils to capture the energy, chaos, and movement that define urban life. He assumes a detached perspective, using lines to construct a vivid portrayal of the frenetic reality he encounters daily.

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