MEET
Sérgio Embanga
Sérgio Lumingo, known by his artistic name Sérgio Embanga, is a talented artist with a deep passion for art that has been with him since an early age. His journey in the world of art has taken him to various places and opportunities to hone his craft and express his creativity.
Here is a brief overview of Sérgio Embanga's artistic journey:
Early Passion: Sérgio Embanga's love for art began at a young age, setting the foundation for his future artistic endeavors.
Institute of Fine Arts: He pursued his artistic education at the Institute of Fine Arts in the Democratic Republic of Congo, where he likely developed his skills and artistic vision.
Atelier Mukalay: In 1996, Sérgio attended Atelier Mukalay, which further contributed to his growth as an artist. Art workshops and ateliers often provide valuable opportunities for artists to learn, experiment, and connect with other creative minds.
Atelier Mawete: Sérgio Embanga is currently one of the artists at Atelier Mawete in Angola. Art studios like this provide artists with a space to create, collaborate, and showcase their work to a wider audience.
Artistic Residency: Sérgio had the opportunity to participate in an artistic residency at the ARMA gallery in 2018. Residencies are valuable experiences for artists to immerse themselves in their craft and explore new ideas and techniques.
Group Exhibitions: Sérgio Embanga has been part of several group exhibitions, both locally and internationally. These exhibitions provide artists with exposure and the chance to share their art with a diverse audience. Some of the exhibitions he has participated in include "Tusikama," "Escravo do 21st century," "African opulent art 2019," and "Tomorrow's Future Starts Today."
Sérgio Embanga's artistic journey showcases his dedication to his craft and his willingness to explore different opportunities and experiences in the art world. His participation in various exhibitions and collaborations demonstrates his commitment to sharing his art and creativity with the world.
