Christie Ferreira

Angola

"Guided by contemporary cubist influences and an attentive listening to inner feeling, Christie creates graphic compositions that oscillate between the abstract and the figurative. For her, painting transcends representation—it becomes an act of touching what words cannot reach. Each gesture transforms emotion into matter, shaping encounters between the visible and the invisible, the said and the unsayable. In this space, Christie’s art reveals itself as a dialogue of sensations, where intuition and form converge to open pathways into the poetic and the profound."

MEET

Christie Ferreira

Christie Ferreira was born on September 30, 1991, in Luanda, Angola, and currently lives in Portugal. She is a multidisciplinary Angolan artist whose practice emerges from a deep engagement with emotion, the body, and intuition. Her work unfolds through symbolic and sensorial dimensions, weaving visual languages that speak to both memory and imagination.

FROM OUR BLOGUE
Redefining Legacy: Jorge M. &  Darlene Pérez Donate 36 Works by African and Diaspora Artists to Tate

Collectors and philanthropists Jorge M. Pérez and Darlene Pérez have donated 36 artworks by African and African diaspora artists to the Tate. The major gift underscores institutions’ increasing commitment to diversifying their collections and elevating underrepresented voices.Collectors and philanthropists Jorge M. Pérez and Darlene Pérez have donated 36 artworks by African and African diaspora artists to the Tate. The major gift underscores institutions’ increasing commitment to diversifying their collections and elevating underrepresented voices.

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Global Media: The World is Watching Afrikanizm

Afrikanizm Art, the Luso‑Angolan platform for contemporary African and Afro‑diasporic art, has formalised partnerships with galleries in the United States, Europe, Africa, and Asia. These alliances will integrate gallery networks with Afrikanizm’s digital platform, amplify artists’ reach, and support collaborative exhibitions. It's a bold step in positioning Black art not on the margins, but at the centre of the global art market.


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